Arie van Baarle; 20+ years experience in design, branding & interaction. Founder of Limage Dangereuse, creative director of Razorfish, co-founder of Syndicat now selfemployed.
Developing adaptive brands and helping brands to interact with their stakeholders.
Focussing on all aspects of interaction: Human-Brand interaction (brand development, service design and digital strategy), Human-Machine interaction (website and brand-app concepts/design) and Human-Human interaction (social media strategy and concepts).
Digital strategy, concept development, human centered design, interaction concepts, service design, experience branding, social media- and experience design.
Viewdle sits between the camera and the user analysing faces in the camera stream, identifying them, then offering links to Facebook, YouTube, LinkedIn, and other social media platforms. A user can identify and tag people in pictures & videos then pass the information to their social networks. As they tag others the software learns to recognize them, and can even share these new visual profiles with other users. The live view also offers an augmented reality tagging overlay that reveals information about the people around you.
Coca-Cola announced internally today that it is making changes to the leadership team of its global integrated marketing communications and capabilities organization.
"It’s recognition of a shift in the landscape," said Ms. Clark, senior-VP integrated marketing communications and capabilities. "Increasingly, we understand the idea of a liquid and linked landscape. And perhaps we weren’t structured for ultimate success within that landscape."
Everyone is aware of how significantly Facebook has impacted modern technologies such as online communication, information aggregation, and boyfriend stalking. Less noticed, but just as profound, is its influence on art. Just as refinements in mirror crafting led to an increase in self portrait production during the Renaissance, Facebook’s steady, unrelenting invasion of every crevice in the civilized world has led to a new renaissance in portraiture, notable for its creation by people who wouldn’t know good art if it friend requested them.
Today’s calendar is broken. It’s a static repository of events. It’s a snapshot, a moment in time. Contrast that against our dynamic and ever changing lives and we have a significant disconnect. The model doesn’t work – it isn’t representative. It doesn’t leverage our digital footprints and create incremental value. The application is outdated and with that we have an opportunity to innovate.
If we compare the leaders in the digital calendar space, we see very similar feature function developed to date. If we remove brand and unique UI elements, we are left with complete product parity.
We believe the time to think about the calendar of the future is now. We have assembled the opinions of some of the industry’s brightest minds to weigh in on what the calendar of the future might look like and the benefits it might provide to our personal and professional lives…This is a manifesto.
What’s the main difference between successful Google applications (search, maps, news, email) and a successful social applications? With Google applications we return to the app to do something specific and then go on to something else, whereas great social applications are designed to lure us back and make us never want to leave.
A new study from Pew Internet found that between April 2009 and May 2010, social networking site usage grew 88% among Internet users aged 55-64, and the 65 and older group’s social networking presence grew 100% in the same time frame.